The African Renaissance and Afro-Arab Spring by
The African Renaissance and the Afro-Arab Spring addresses the often unspoken connection between the powerful call for a political-cultural renaissance that emerged with the end of South African apartheid and the popular revolts of 2011 that dramatically remade the landscape in Egypt, Libya, and Tunisia. Looking between southern and northern Africa, the transcontinental line from Cape to Cairo that for so long supported colonialism, its chapters explore the deep roots of these two decisive events and demonstrate how they are linked by shared opposition to legacies of political, economic, and cultural subjugation. As they work from African, Islamic, and Western perspectives, the book's contributors shed important light on a continent's difficult history and undertake a critical conversation about whether and how the desire for radical change holds the possibility of a new beginning for Africa, a beginning that may well reshape the contours of global affairs.
Family Album of Wild Africa by
Many have tried to convey the true spirit of Africa's animals in words, photography, or in music. There may be no challenge greater; Africa's fauna are vast in number and rich in diversity. In this finely crafted collection, French photographer Laurent Baheux uses the medium of black-and-white photography to capture the intricate details of both the wondrous beasts and the magnificent settings in which they dwell. This wide-ranging volume lays particular emphasis on his subjects' individual spirits-revealing all of their vulnerability while losing nothing of their raw vitality. Every photograph is so carefully composed and well lit that the details equal the evocative precision of an Old Masters portrait. Through Baheux's eyes we get close to creatures that will both inspire and humble us all. AUTHOR: Laurent Baheux, an award-winning, French, self-taught photographer born in Poitiers in 1970, was at first attracted to journalism and editing. He covered the main international sport competitions for the top press photography agencies and channeled his energy towards conditions of speed and extreme demand.Always fascinated by nature and wildlife, Laurent Baheux embarked ona trip to Tanzania in 2002, a journey that launched a lifetime love affair with Africa's wildlife. He immediately chose black-and-white, with its play on shadow, light, and contrast, to immortalize rare and ephemeral scenes of nature and to sublimate the animal personality. His artistic interpretation is characterized by deep blacks, forming a random and subtle alchemy that combines beauty and emotion, always striving to detach his subjects from the representation of reality in order to present a personal, poetic, and sensitive vision. With his work, Baheux wishes to pay homage to the wildlife, all the while questioning viewers about the relationship between animals and humans, and about the role the latter play in the delicate equilibrium of species on earth.In the continuity of his photographic commitment, Baheux accompanies and supports the deeds of organizations, which work for the protection of nature and the preservation of biodiversity including World Wildlife Fund and GoodPlanet Foundation. Since 2013, he supports actions of The United Nations Environmental Program (UNEP) as Goodwill Ambassador for the Wild & Precious awareness campaign. 175 duotone photographs
Morning in South Africa by
This incisive, deeply informed book introduces post-apartheid South Africa to an international audience. South Africa has a history of racism and white supremacy. This crushing historical burden continues to resonate today. Under President Jacob Zuma, South Africa is treading water. Nevertheless, despite calls to undermine the 1994 political settlement characterized by human rights guarantees and the rule of law, distinguished diplomat John Campbell argues that the country's future is bright and that its democratic institutions will weather its current lackluster governance. The book opens with an overview to orient readers to South Africa's historical inheritance. A look back at the presidential inaugurations of Nelson Mandela and Jacob Zuma and Mandela's funeral illustrates some of the ways South Africa has indeed changed since 1994. Reviewing current demographic trends, Campbell highlights the persistent consequences of apartheid. He goes on to consider education, health, and current political developments, including land reform, with an eye on how South Africa's democracy is responding to associated thorny challenges. The book ends with an assessment of why prospects are currently poor for closer South African ties with the West. Campbell concludes, though, that South Africa's democracy has been surprisingly adaptable, and that despite intractable problems, the black majority are no longer strangers in their own country.
Africa by
The British Museum boasts one of the finest collections of African art in the world. In Africa: Arts and Cultures, John Mack and an international team of artists and scholars draw on this world-famous collection to take us on a beautifully illustrated tour of African art and the variouscultures that created it.Readers expecting the masks and wooden figures commonly collected a century ago will be surprised by the wide variety of art forms covered here, from a Tunisian wedding tunic, to a water bottle of ostrich eggshell from the San in southern Africa, to a multimedia monoprint made by a Nigerianartist in 1999. Moreover, in a rare departure, the book covers the art of all five regions of Africa, including Saharan Africa, with each geographical section introduced by a British Museum curator who provides historical and cultural context for the art from that region. But most important, this isa book of many voices. The art carries the voices of artists, ancient and modern, looking into their own culture and also out into the world around them. Commentaries on the art are written by historians, anthropologists, curators, artists--both insiders and outsiders whose breadth of experiencedismantles easy notions of "Africanness." Above all, there are African voices: African artists comment on their own work and that of the past; and scholars from African universities shed light on the objects of their specialty.By presenting art from across the continent, past and present, coupled with astute commentary by a worldwide cross-section of artists and scholars, Africa: Arts and Cultures offers an innovative approach that allows the reader to better appreciate African art in its totality.
The Storied City by
Timbuktu has long been seen as a paradise to Westerners who had, for centuries, led perilous and mostly failed 'discovery' expeditions to the city. It's also legendarily known as the home of thousands of ancient manuscripts so when Al Qaeda surged across Mali in 2012, the eyes of the outside world were once again upon the fabled, now threatened city. A team of librarians and archivists began an unprecedented smuggling operation to save the history of an entire civilisation. English expertly interweaves these two suspenseful strands - the race to Timbuktu and the riveting undercover mission.
Culture and Customs of Kenya by
Kenya, a land of safaris, wild animals, and Maasai warriors, perfectly represents Africa for many Westerners. This peerless single-source book presents the contemporary reality of life in Kenya, an important East-African nation that has served as a crossroads for peoples and cultures from Africa, the Middle East, and East Asia for centuries. As such, it is a land rich in cultural and ethnic diversity, where unique and dynamic traditions blend with modern influences. Students and general readers will be engrossed in narrative overviews highlighting Kenyan history, as well as the beliefs, vibrant cultural expressions, and various lifestyles and roles of the Kenyan population. A chronology, glossary, and numerous photos enhance the narrative. Kenya today struggles with nation building. Its society comprises the haves and the have-nots and faces the challenges of the trend toward urbanization, with its attendant disruption of traditional social structures. For Kenyans, the preserving of traditional cultures is as important as making the statement that Kenya is a modern nation. Chapters on the land, people, and history; religion and worldview; literature, film, and media; art and architecture; cuisine and traditional dress; gender roles, marriage, and family; and social customs and lifestyle are up to date and written by a country expert. A chronology, glossary, and numerous photos enhance the narrative.
Seven Myths of Africa in World History by
[PRINT] "Northrup's highly accessible book breaks through the most common barriers that readers encounter in studying African history. Each chapter takes on a common myth about Africa and explains both the sources of the myth and the research that debunks it. These provocative chapters will promote lively discussions among readers while deepening their understanding of African and world history. The book is strengthened by its incorporation of actors and issues representing the African diaspora and African Americans in particular." --Rebecca Shumway, College of Charleston
African Kingdoms: an Encyclopedia of Empires and Civilizations by
This history-rich volume details the sociopolitical, economic, and artistic aspects of African kingdoms from the earliest times to the second half of the 19th century. * Provides relevant perspective on globalization in the pre-modern era, documenting how humans across time and places have shared various components of custom ranging from food, language, and music to religion and spirituality * Supports Common Core standards * Includes primary documents for enhancing critical thinking and research skills * Features cross references and suggestions for further reading * Highlights key facts and interesting trivia through illuminating sidebars
Outbreak Culture by
An award-winning genetic researcher who helped contain the Ebola outbreak and a prize-winning journalist reveal what it will take to prevent the next pandemic from spiraling out of control. As we saw with our response to Ebola and Zika--and are seeing now with the disastrous early handling of the coronavirus COVID-19 outbreak--a lack of preparedness, delays in action, and large-scale system-wide problems with the distribution of critical medical resources can result in lost lives. Outbreak Culture examines each phase of the 2014 Ebola outbreak in West Africa--one of the largest and deadliest epidemics to date--and identifies factors that prevented key information from reaching physicians. Drawing insights from clinical workers, data collectors, organizational experts, and public health researchers, Pardis Sabeti and Lara Salahi expose a fractured system that failed to gather and share knowledge of the virus and ensure timely containment. The authors describe how much more could have been done by global medical and political organizations to safeguard the well-being of caregivers, patients, and communities affected by this devastating outbreak and they outline changes that are urgently needed to ensure a more effective coordinated response to the next epidemic. Secrecy, competition, and poor coordination plague nearly every major public health crisis--and we are seeing their deadly consequences play out again. A work of fearless integrity and unassailable authority, Outbreak Culture seeks to change the culture of responders.
The Masque of Africa by
Like all of V. S. Naipaul’s “travel” books, The Masque of Africa encompasses a much larger narrative and purpose: to judge the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of civilization. From V. S. Naipaul: “For my travel books I travel on a theme. And the theme of The Masque of Africa is African belief. I begin in Uganda, at the center of the continent, do Ghana and Nigeria, the Ivory Coast and Gabon, and end at the bottom of the continent, in South Africa. My theme is belief, not political or economical life; and yet at the bottom of the continent the political realities are so overwhelming that they have to be taken into account. “Perhaps an unspoken aspect of my inquiry was the possibility of the subversion of old Africa by the ways of the outside world. The theme held until I got to the South, when the clash of the two ways of thinking and believing became far too one-sided. The skyscrapers of Johannesburg didn’t rest on sand. The older world of magic felt fragile, but at the same time had an enduring quality. You felt that it would survive any calamity. “I had expected that over the great size of Africa the practices of magic would significantly vary. But they didn’t. The diviners everywhere wanted to ‘throw the bones’ to read the future, and the idea of ‘energy’ remained a constant, to be tapped into by the ritual sacrifice of body parts. In South Africa body parts, mainly of animals, but also of men and women, made a mixture of ‘battle medicine.’ To witness this, to be given some idea of its power, was to be taken far back to the beginning of things. “To reach that beginning was the purpose of my book.” The Masque of Africa is a masterly achievement by one of the world’s keenest observers and one of its greatest writers.
Walking the Nile by
The Nile, one of the world's great rivers, has long been an object of fascination and obsession. From Alexander the Great and Nero, to Victorian adventurers David Livingstone, John Hanning Speke, and Henry Morton Stanley, the river has seduced men and led them into wild adventures. English writer, photographer, and explorer Levison Wood is just the latest. HisWalking the Nile is a captivating account of a remarkable and unparalleled Nile journey. Starting in November 2013 in a forest in Rwanda, where a modest spring spouts a trickle of clear, cold water, Wood set forth on foot, aiming to become the first person to walk the entire length of the fabled river. He followed the Nile for nine months, over 4,000 miles, through six nations--Rwanda, Tanzania, Uganda, South Sudan, the Republic of Sudan, and Egypt--to the Mediterranean coast. Like his predecessors, Wood camped in the wild, foraged for food, and trudged through rainforest, swamp, savannah, and desert, enduring life-threatening conditions at every turn. He traversed sandstorms, flash floods, minefields, and more, becoming a local celebrity in Uganda, where a popular rap song was written about him, and a potential enemy of the state in South Sudan, where he found himself caught in a civil war and detained by the secret police. As well as recounting his triumphs, like escaping a charging hippo and staving off wild crocodiles, Wood's gripping account recalls the loss of Matthew Power, a journalist who died suddenly from heat exhaustion during their trek. As Wood walks on, often joined by local guides who help him to navigate foreign languages and customs,Walking the Nile maps out African history and contemporary life. An inimitable tale of survival, resilience, and sheer willpower,Walking the Nile is an inspiring chronicle of an epic journey down the lifeline of civilization in northern Africa.
Libya by
An oil-rich nation in North Africa, Libya has seen a great deal of turmoil in recent years, with civil war continuing to affect the country today. Readers will explore Libyas history and find out what events have led its current situation. They will also find out what it is like to live in Libya today, from which kinds of jobs are common to what people eat and where they live. Additionally, the book offers a close look at Libyas rugged landscapes, unique wildlife, climate, and much more.
Africa's Turn? by
Signs of hope in sub-Saharan Africa: modest but steady economic growth and the spread of democracy. By the end of the twentieth century, sub-Saharan Africa had experienced twenty-five years of economic and political disaster. While "economic miracles" in China and India raised hundreds of millions from extreme poverty, Africa seemed to have been overtaken by violent conflict and mass destitution, and ranked lowest in the world in just about every economic and social indicator. Working in Busia, a small Kenyan border town, economist Edward Miguel began to notice something different starting in 1997: modest but steady economic progress, with new construction projects, flower markets, shops, and ubiquitous cell phones. In Africa's Turn? Miguel tracks a decade of comparably hopeful economic trends throughout sub-Saharan Africa and suggests that we may be seeing a turnaround. He bases his hopes on a range of recent changes: democracy is finally taking root in many countries; China's successes have fueled large-scale investment in Africa; and rising commodity prices have helped as well. Miguel warns, though, that the growth is fragile. Violence and climate change could derail it quickly, and he argues for specific international assistance when drought and civil strife loom. Responding to Miguel, nine experts gauge his optimism. Some question the progress of democracy in Africa or are more skeptical about China's constructive impact, while others think that Miguel has underestimated the threats represented by climate change and population growth. But most agree that something new is happening, and that policy innovations in health, education, agriculture, and government accountability are the key to Africa's future. Contributors Olu Ajakaiye, Ken Banks, Robert Bates, Paul Collier, Rachel Glennerster, Rosamond Naylor, Smita Singh, David N. Weil, and Jeremy M. Weinstein
The Mind of Africa by
William Abraham studied Philosophy at the University of Ghana, and even more Philosophy at Oxford University. Thereafter, he gained permission to take part in the competitive examination and interview for a fellowship at All Souls' College. The examination was once described, with some exaggeration, as "the hardest exam in the world!" It included a three-hour essay. Following his success in becoming the first African fellow of All Souls, his interest in African politics quickly developed into a Pan-African perspective. The Mind of Africa, written while he was still at All Souls, was a fruit of that enlarged perspective. After several years as a Fellow, he had occasion to visit Ghana in 1962. There Kwame Nkrumah, then President of Ghana, successfully persuaded him to return to Ghana to teach at the University of Ghana, Legon and he subsequently resigned from All Souls. In 1968, he went to the United States as a visiting professor. This was followed by invitations to teach at various academic institutions there, including Berkeley and Stanford. He subsequently settled in California, where he continued to teach and research philosophy in the University of California at Santa Cruz until his retirement. ...The Mind of Africa appeared at a time when a number of African countries were obtaining, or fighting for, their political freedom from their colonial rulers and becoming independent nations and expecting to build new societies in accordance with their own visions and conceptions, though not necessarily jettisoning all the features of their colonial heritage. Building new societies requires appropriate ideologies and philosophies fashioned within the crucible of their cultural and historical experiences. Thus, the relation between ideology and society is taken up at the very outset of the book... The Mind of Africa is important for Africa's future and identity.
The Next Generation of Scientists in Africa by
Young scientists are a powerful resource for change and sustainable development, as they drive innovation and knowledge creation. However, comparable findings on young scientists in various countries, especially in Africa and developing regions, are generally sparse. Therefore, empirical knowledge on the state of early-career scientists is critical in order to address current challenges faced by those scientists in Africa. This book reports on the main findings of a three-and-a-half-year international project in order to assist its readers in better understanding the African research system in general, and more specifically its young scientists. The first part of the book provides background on the state of science in Africa, and bibliometric findings concerning Africa�s scientific production and networks, for the period 2005 to 2015. The second part of the book combines the findings of a large-scale, quantitative survey and more than 200 qualitative interviews to provide a detailed profile of young scientists and the barriers they face in terms of five aspects of their careers: research output; funding; mobility; collaboration; and mentoring. In each case, field and gender differences are also taken into account. The last part of the book comprises conclusions and recommendations to relevant policy- and decision-makers on desirable changes to current research systems in Africa.
African Appropriations by
Why would a Hollywood film become a Nigerian video remake, a Tanzanian comic book, or a Congolese music video? Matthias Krings explores the myriad ways Africans respond to the relentless onslaught of global culture. He seeks out places where they have adapted pervasive cultural forms to their own purposes as photo novels, comic books, songs, posters, and even scam letters. These African appropriations reveal the broad scope of cultural mediation that is characteristic of our hyperlinked age. Krings argues that there is no longer an "original" or "faithful copy," but only endless transformations that thrive in the fertile ground of African popular culture.
Culture and Customs of the Congo by
The Democratic Republic of Congo, formerly Zaire, continues to struggle with socioeconomic and political development. Culture and Customs of the Congo provides the full context of traditional culture and modern practices against a backdrop of a turbulent history. The volume opens up a land and peoples little known in the United States. Written expressly to meet the needs of students and the general audience, the work will inform about the geography, economy, political history, and history from the slave trade to dictatorship; ancestral religions and inroads of western faiths; ancestral literary heritage and communication; art, architecture, and housing; diet and dress; marriage, family, and women; lifestyles and life events, and traditional and modern music and dance. Congolese society comprises hundreds of ethnic groups, such as the Luba, the Kongo, and the Kuba. The countryside is largely based on the hunting and gathering, herding, and farming lifestyles. The city is marked by lifestyles reflecting the prevalence of small business activities and increasing cultural sycretism of customs from different parts of the Congo and Western imports. Mukenge's narrative gives the diverse perspectives of their cultures with their fascinating juxtapositions to our familiar western ways. Examples of this are found in the Religion and Worldview chapter, which discusses ancestral religions, the spirits of the land, and supernatural power practitioners. The Literature chapter covers verbal competition and game songs. Congolese cuisine is based on starches such as the cassava root, the corn, and the plantain; green vegetables, insects, fish and, to a lesser extent, meat. Other chapters cover topics from the distinct Congolese dress and symbolic adornments, all-important family lines, to ceremonial music and dance. A chronology and glossary are added value.
Stirring the Pot by
U.S. and World Winner in the Best African Cuisine Book category, Gourmand World Cookbook Awards, 2010 Africa's art of cooking is a key part of its history. All too often Africa is associated with famine, but in Stirring the Pot, James C. McCann describes how the ingredients, the practices, and the varied tastes of African cuisine comprise a body of historically gendered knowledge practiced and perfected in households across diverse human and ecological landscape. McCann reveals how tastes and culinary practices are integral to the understanding of history and more generally to the new literature on food as social history. Stirring the Pot offers a chronology of African cuisine beginning in the sixteenth century and continuing from Africa's original edible endowments to its globalization. McCann traces cooks' use of new crops, spices, and tastes, including New World imports like maize, hot peppers, cassava, potatoes, tomatoes, and peanuts, as well as plantain, sugarcane, spices, Asian rice, and other ingredients from the Indian Ocean world. He analyzes recipes, not as fixed ahistorical documents,but as lively and living records of historical change in women's knowledge and farmers' experiments. A final chapter describes in sensuous detail the direct connections of African cooking to New Orleans jambalaya, Cuban rice and beans, and the cooking of African Americans' "soul food." Stirring the Pot breaks new ground and makes clear the relationship between food and the culture, history, and national identity of Africans.
Stones of Contention by
Africa supplies the majority of the world's diamonds, yet consumers generally know little about the origins and history of these precious stones beyond sensationalized media accounts of so-called blood diamonds. Stones of Contention explores the major developments in the remarkable history of Africa's diamonds, from the earliest stirrings of international interest in the continent's mineral wealth in the first millennium A.D. to the present day. In the European colonial period, the discovery of diamonds in South Africa ushered in an era of unprecedented greed during which monopolistic enterprises exploited both the mineral resources and the indigenous workforce. In the aftermath of World War II, the governments of newly independent African states, both democratic and despotic, joined industry giant De Beers and other corporations to oversee and profit from mining activity on the continent. The book also considers the experiences of a wide array of Africans--from informal artisanal miners, company mineworkers, and indigenous authorities to armed rebels, mining executives, and premiers of mineral-rich states--and their relationships to the stones that have the power to bring both wealth and misery. With photos and maps, Stones of Contention illustrates the scope and complexity of the African diamond trade as well as its impact on individuals and societies.
Albert Luthuli by
In an excellent addition to the Ohio Short Histories of Africa series, Robert Trent Vinson recovers the important but largely forgotten story of Albert Luthuli, Africa's first Nobel Peace Prize winner and president of the African National Congress from 1952 to 1967. One of the most respected African leaders, Luthuli linked South African antiapartheid politics with other movements, becoming South Africa's leading advocate of Mahatma Gandhi's nonviolent civil disobedience techniques. He also framed apartheid as a crime against humanity and thus linked South African antiapartheid struggles with international human rights campaigns. Unlike previous studies, this book places Luthuli and the South African antiapartheid struggle in new global contexts, and aspects of Luthuli's leadership that were not previously publicly known: Vinson is the first to use new archival evidence, numerous oral interviews, and personal memoirs to reveal that Luthuli privately supported sabotage as an additional strategy to end apartheid. This multifaceted portrait will be indispensable to students of African history and politics and nonviolence movements worldwide.
Colonial Heritage, Memory and Sustainability in Africa by
This book serves as a drive and medium for constructive analysis, critical thinking, and informed change in the broad area of cultural heritage studies. In Africa, how to overturn the gory effects and reverse the wholesale obnoxious and unpardonable losses suffered from the excruciating experience of colonialism in a manner that empowers the present and future generations, remains a burning question. Colonial and liberation war heritage have received insignificant attention. The relevance, nature, and politics at play when it comes to the role of memory and colonial heritage in view of nation-building and sustainability on the continent is yet to receive careful practical and theoretical attention and scrutiny from both heritage scholars and governments. Yet, colonial heritage has vast potentials that if harnessed could reverse the gargantuan losses of colonialism and promote sustainable development in Africa. The book critically reflects on the opportunities, constraints, and challenges of colonial heritage across Africa. It draws empirical evidence from its focus on Zimbabwe, South Africa, Nigeria, Ghana, Zambia, and Mozambique, to advance the thesis that cultural heritage in Africa, and in particular colonial heritage, faces challenges of epic proportions that require urgent attention.
Birds of Kruger National Park by
South Africa's Kruger National Park is one of the largest and most iconic conservation areas in Africa. Habitats range from wide-open savannah and rugged thornveld to broadleaved mopani woodland. This microhabitat variation gives Kruger a phenomenal diversity of some 520 bird species, half of which are resident. From Africa's most extraordinary eagles, like the scarlet-faced Bateleur, to electric-colored glossy-starlings and jewel-like finches, Kruger offers an avian celebration of form and color. It is also a crucial conservation area, supporting South Africa's largest viable populations of vultures, eagles, and large terrestrial birds. This field guide offers a unique window into the world of Kruger's birds. More than 500 stunning color photographs illustrate the 259 most frequently encountered species, and a habitat-based approach assists in identification. The authoritative text provides key information about identification, habitat, behavior, biology, and conservation. The guide contains information likely to be new to even the most experienced birders, but is written in a nontechnical style that makes it accessible to anyone. An essential guide to Kruger's birds Perfect for new and experienced birders alike Small, portable format ideal for field use Unique attractive layout with more than 500 stunning color photographs Covers the 259 most frequently seen species Uses a habitat-based approach to aid identification Authoritative and accessible text provides key information about identification, behavior, biology, and conservation Distributed by Princeton University Press
Ghana by
The "Gateway to Africa," Ghana welcomes around a million tourists, aid workers, and business travelers a year--visitors who invariably come away with glowing reports of a fertile land, tropical scenic beauty, rich culture and traditions, and many first-rate tourist attractions. It is, however, the Ghanaians themselves who make the biggest impression. It is through their hospitality and love of peace that Ghana has a claim to be the safest and friendliest country in Africa. Ghanaians are welcoming to foreign guests, respectful to each other, strong followers of tradition, and have deep familial and communal values. For most visitors, Ghana comes as a wonderfully refreshing change, with valuable lessons to teach the outside world. Ghanaians like to do things their own way, and Ghana is a proud country that does not cater exclusively to tourists but rather expects them to fit in with the Ghanaian pace and way of life. Thus a visit to Ghana is not without its downsides, and visitors can experience frustrations and barriers. This revised and updated edition of Culture Smart! Ghana explains the complexities and nuances of Ghanaian society with clarity and humor. Visitors are expected to be sympathetic to their customs and beliefs, and their hosts will have no hesitation in saying, "We don't do that here," should a faux pas be made or a taboo broken. It is important to Ghanaians that they, and their guests, follow certain rules and codes of conduct. Culture Smart! Ghana describes these rules, explains where they come from, helps to disperse the frustrations and barriers, and offers the reader an opportunity to enjoy more fully all that this beautiful country has to offer.
Riding the Demon by
In Niger, where access to rail and air travel requires overcoming many obstacles, roads are the nation's lifeline. For a year in the early 1990s, Peter Chilson traveled this desert country by automobile to experience West African road culture. He crisscrossed the same roads again and again with bush taxi driver Issoufou Garba in order to learn one driver's story inside and out. He hitchhiked, riding in cotton trucks, and traveled with other bush taxi drivers, truckers, road engineers, an anthropologist, Niger's only licensed woman commercial driver, and a customs officer. The road in Africa, says Chilson, is more than a direction or a path to take. Once you've booked passage and taken your seat, the road becomes the center of your life. Hurtling along at eighty miles an hour in a bush taxi equipped with bald tires, no windows, and sometimes no doors, travelers realize that they've surrendered everything. Chilson uses the road not to reinforce Africa's worn image of decay and corruption but to reveal how people endure political and economic chaos, poverty, and disease. The road has reflected the struggle for survival in Niger since the first automobile arrived there, and it remains a useful metaphor for the fight for stability and prosperity across Africa.
Some examples of the informational videos you can find in the Films on Demand database: